Music Fonts 

Published works 


Georges Antoine 

Jean-Pierre Armanet 

Paul Barras 

Tiziano Bedetti 

Michel Béro 

Jean-Louis Cadée 

Leonello Capodaglio 

Yves Carlin 

Dominique Charle 

Thierry Chleide 

Marcel Cominotto 

Roger Cornelis 

Mathieu Debaar 

Christian Debecq 

Firmin Decerf 

Paul Detiffe 

Berthe di Vito-Delvaux 

Georges Dubois 

Albert Dupuis 

Luc Dupuis 

Michel Fourgon 

Pierre Froidebise 

Maurice Guillaume 

André Jadot 

Mathieu Jodin 

André Klenes 

Lucien Lambotte 

Louis Lavoye 

Michel Leclerc 

Guillaume Lekeu 

Jean-Luc Lepage 

Alain Levecq 

Pierre Liémans 

Albert Lomba 

Guy-Philippe Luypaerts 

Anne Martin 

Raymond Micha 

Marian Mitea 

Onofrio Palumbo 

Désiré Pâque 

Jean-Dominique Pasquet 

Carlos Peron Cano 

René Potrat 

Henri Pousseur 

Jean Rogister 

Paul Rouault 

Paul Sana 

Pierre Schwickerath 

Edouard Senny 

Claude Siquiet 

Philippe Verkaeren 

Patrick Wilwerth 

Pirly Zurstrassen 

  Henri POUSSEUR (Malmedy 1929 - Bruxelles 2009)

Henri Pousseur was born in Malmédy on June 23, 1929 and died in Brussels on March 6, 2009. He studied at the Academies of Music in Liège and in Brussels and he associated essentially with Pierre Froidebise and André Souris while participating in their discovery of the Viennese School. Subsequently, he encountered Pierre Boulez, Karlheinz Stockhausen and Luciano Berio and devoted himself to avant-garde research. He attended the summer courses in Darmstadt, the Contemporary Music Festival in Donaueschingen and he worked at the electronic music studios in Köln and in Milano. He was a teacher of composition at the Music Academy in Basel. In 1970, he created in Liège the Centre for Musical Research of Wallonia. He was appointed as Director of the Academy of Music in Liège in 1975 and he remained in office until 1988. In 1984, he was appointed as Director of the Institute of Pedagogy at the Music Academy in Paris. As the spiritual heir of Webern, Henri Pousseur endeavoured by applying the techniques and the principles of the aleatoric and through combining electronics with traditional instruments - to bring about a renewal of the phenomenon of sound. From among a vast catalogue, we could quote "Symphonie à 15 solistes" (1958), "Les Éphémérides d'Icare" (1970), "Couleurs croisées" (1967) for orchestra as well as the opera "Votre Faust" (1961-68) created in co-operation with the writer Michel Butor.

Philippe Bayard
Translated by Luc Van Loock