Music Fonts 

Published works 


Georges Antoine 

Jean-Pierre Armanet 

Paul Barras 

Tiziano Bedetti 

Michel Béro 

Jean-Louis Cadée 

Leonello Capodaglio 

Yves Carlin 

Dominique Charle 

Thierry Chleide 

Marcel Cominotto 

Roger Cornelis 

Mathieu Debaar 

Christian Debecq 

Firmin Decerf 

Paul Detiffe 

Berthe di Vito-Delvaux 

Georges Dubois 

Albert Dupuis 

Luc Dupuis 

Michel Fourgon 

Pierre Froidebise 

Maurice Guillaume 

André Jadot 

Mathieu Jodin 

André Klenes 

Lucien Lambotte 

Louis Lavoye 

Michel Leclerc 

Guillaume Lekeu 

Jean-Luc Lepage 

Alain Levecq 

Pierre Liémans 

Albert Lomba 

Guy-Philippe Luypaerts 

Anne Martin 

Raymond Micha 

Marian Mitea 

Onofrio Palumbo 

Désiré Pâque 

Jean-Dominique Pasquet 

Carlos Peron Cano 

René Potrat 

Henri Pousseur 

Jean Rogister 

Paul Rouault 

Paul Sana 

Pierre Schwickerath 

Edouard Senny 

Claude Siquiet 

Philippe Verkaeren 

Patrick Wilwerth 

Pirly Zurstrassen 

  Jean-Luc LEPAGE (Virton St-Mard 1959)

Jean-Luc Lepage was born on November 19,1959 in Virton Saint-Mard. He was awarded, successively, a 1st Prize for the Organ, for written and practical Harmony, for Methodology of the Solfeggio, a Certificate for Musical Analysis, then a Grand Prize for Solfeggio, Specialization, at the Royal Conservatoire for Music in Mons. As a concert performer, he performed numerous organ concerts. He is currently Deputy Director at the Conservatoire for Music in Dinant. In the framework of his duties, he composed numerous pieces for wind instruments, with or without piano accompaniment, also works for the piano for two or four hands. His musical language is generally tonal but in some pieces destined for the Royal Conservatoires, we find the symbolics of the figures to be omnipresent (figure 7). We also encounter quite frequently the scale by tones which can be transposed once only and that has been made good use of by Debussy already.

Philippe Bayard
Abstract translated by Luc Van Loock.